Documentary Short Film Review “Old School, New School”

Review by Kirk S. Fernwood

4 Sept 2017

Film director Steven Fischer (left) with the legendary cinematographer William Fraker on location in Hollywood for Old School New School, 2008. (photo Scott Uhlfelder)

WATCH THE FILM HERE

First, the Recap:

It’s the digital age, and anyone and everyone is able to share their talents (or “talents”) with the world at large, opening themselves up to scrutiny, even putting out material of professional quality appearance–even though they aren’t really professional, perhaps, in connecting with an audience via true artistic integrity. So, therefore, what exactly is it that makes for, well, “making it” in the realms of stage and screen? For 2-time Emmy nominated independent filmmaker Steven Fischer, this was the burning question he himself had been struggling with for some time, with no immediate answers to be found.

However, he then embarked on a journey across the United States on a quest to find those elusive truths found within three distinct aspects of what it means to be grounded in the arts: finding your voice, security vs. risk, and the definition of success. As he engaged some of the wide-ranging entertainment industry’s most consummate, revered, and skilled artists in their respected fields of expertise, the notions shared, the personal level of insights presented, and the sometimes deceptively simple wisdom gained very much embodies the very heart of what it means to find exactly what was being sought.

Next, my Mind:

In what this reviewer would deem a perfect amalgamation of what it means to be a part of the independent film community while also delivering a pure, insightful, and fascinating look into the greater entertainment industry machine via some its veteran luminaries, writer/director/co-producer/editor Fischer’s 33-minute documentary short hits a home run on multiple levels. Thanks to the very up close, personalized nature of the interviews here, it makes the viewer one hundred percent experience the world through these artisans’ words as they share their own revelations about what it is to find success while also making it clear that everyone truly needs to find their own path.

Emphasizing concepts like not deviating from being who you are, knowing what risks to take vs. taking none at all or playing it too safe, having a willingness to push yourself, taking constructive criticism, being a person of honesty with yourself and others, realizing there doesn’t have to be suffering for your art to be successful, and asking yourself if you’ve found happiness, fulfillment, or reached your full potential, it very much should resonate deeply with anyone striving to walk that path to what they desire to do, even outside of the industries presented here. It’s an actuality, a personal endeavor, to aim for the goals you have and do it with passion and hard work, all while knowing with confidence what your talent is, developing it by being hand’s on, and accepting no shortcuts. It’s affecting and so real.

The “cast” Fischer provides us for this journey is nothing short of extraordinary. Included are renowned cinematographers like 6-time Oscar nominee William Fraker and John Bailey, 4-time Grammy winner and John Coltrane Quartet jazz legend McCoy Tyner, 134-time Tony nominated/41-time winning stage producer Emanuel Azenberg, 50-year theater teacher and performer Sam McCready, whose former students included names like Branagh, Neeson, and Boyle, poet James Ragan whose work has been translated into 12 European and Asian languages while also having read for 5 heads of state, Carnegie Hall, and the U.N., Kirstie Simson, a worldwide name in new dance instruction, as well as actors Ben Jones, Brian Cox, and Tomas Arana, all of whom stand out for their prolific deeds either on or off screen.

In total, with its completely relatable, down-to-earth vibe, fluid pacing, totally engaging interviews, and wealth of knowledge offered to any and all who have dreams of pursuing careers in the entertainment industry or other paths, “Old School, New School” is a must-see documentary effort that especially resonated with this reviewer and the goals I have been aiming for. It’s motivation, challenge, and steadfast encouragement found here, something we could all use more of in this hectic situation we call life.

As always, this is all for your consideration and comment.  Until next time, thank you for reading!

L-R: Fred Weil, Steven Fischer, Brian Cox, Chris Cassidy shooting Old School New School, New York City, June 2010.

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Old School New School on Film Monthly

Old School New School review at filmmonthly.com

Photographer Herman Leonard, attorney Diane Davison, film director Steven Fischer at opening of Jazz at Lincoln Center, New York City, October 2009. Photo by Rick Edwards.

Director Steven Fischer with his cousin, Kathleen Monroe, Baltimore, Maryland.

Old School, New School

by Caress Thirus

We open on a common scene – a slightly flustered journalist making small talk with his interviewee as he prepares to ask his questions. Old School, New School is a documentary that follows Steven Fischer as he explores the different paths people take to develop their creative fingerprint, aka, their “voice”. A lot of people forget that documentaries are still films. Though they are informational, they’re meant for entertainment. There’s a sense of practical humor to this entire film, and key aspects are held from the audience so as to keep their interest. The first two minutes are sure to stir up a swirl of questions that Fisher and its interviewees answer during the film. “What is your voice, and how do you find it?” It’s a common question that anyone in an art-related career has asked themselves, time and time again. Though commonly asked, the answer is never straightforward. For some, the answer is simple; for others, not so much. This documentary compares and contrasts the answers given by different people in different careers, from dancers to cinematographers to musicians. The film is opinionated, but full of good opinions that are supported with logical reasoning. This is a film about voice, after all. How inappropriate would it be not to have an opinion or two? The entire documentary has a very honest feel to it; it’s realistic rather than rigged. Unfortunately, this causes it to drag in areas, but it always seems to pick back up. This movie is definitely in need of a soundtrack (and perhaps a more relevant title). It’s basic; there’s nothing unusual, and with all of the artistic people who were interviewed, it is upsetting to learn that none of their work is showcased in the film. Old School, New School sort of feels as if the filmmaker didn’t want to cut any of his interviews, and he left too many [unnecessary] clips in the film, making it too long. Still, the film feels organized and planned enough for the audience to keep watching. The viewer feels as if he or she is actually in the room with Fisher and the various people he interviews. It’s easy to get pulled into the stories they tell. In the end, the infamous question still stands. How does one go about defining their personal voice? Perhaps musician McCoy Tyner put it most simply when he said, “You found something you liked to do. It’s a matter of developing by doing it.”

Most information is derived from IMDB’s daily news, the Chicago dailies (Tribune and Sun Times), Entertainment Weekly, MSN.com, various sources as listed, and by just paying attention.

Caress Thirus is a student at Roosevelt University and a film enthusiast.

E-mail us at filmmonthly@gmail.com

Old School New School review on Snaptwig

A blast from the past — Snaptwig review of Old School New School, a study on creativity. Quite thorough. If anyone knows the author, please let me know!

L-R: Fred Weil, Steven Fischer, Brian Cox, Chris Cassidy shooting Old School New School, New York City, June 2010.

Old School, New School: The inspiring documentary by film-maker Steven Fischer

By Contributor February 10, 2013

Steven Fischer’s recent documentary, Old School, New School is a triumphant view of how artists fuel their creativity and drive to bring their creative inspirations to fruition, and the challenges involved. The film brings to the light what inspirations professionals have, and provides vindication for current creative professionals in that their thinking is universal. The documentary provides a resounding echo of all of the shared thoughts of artists from around the world which creates a sense of community. The film accomplishes this through bringing together experts in all genres of art and entertainment in interviews about their perception of inspiration, drive to succeed in the arts, and the challenges involved.

The interviews in the film include Emmy winning actor Brian Cox, Tony award winning producer, Emanuel Azenberg, Oscar nominated cinematographer William Fraker, Grammy winning jazz pianist McCoy Tyner, accomplished actor Tomas Arana, renowned cinematographer John Bailey, accomplished actor Ben Jones, acclaimed theater director and actor Sam McCready, distinguished poet James Ragan, and award winning improvisational dancer Kirstie Simson.

Steven Fischer, the director, writer, and producer of Old School, New School, credits the many conversations with friends and colleagues over the years, as well as the 1974 documentary, “Place de la Republique” by Louis Malle for the inspiration to make the documentary. Fischer explains the inspiration, “I was so interested in that concept, that idea of a movie that is driven by a running conversation. I’d like to try that, to make a movie that’s just one running conversation. That’s a challenge for me. You combine that with at the same time doing these experiments, recording these conversations about creativity, about the arts. It all gets mixed together, and evolves into what became Old School New School.”

Finding the people willing to be interviewed for the documentary was another challenge to overcome for Fischer. True to form, he never gave up and followed every opportunity to find the wonderful artists who appear in the film and readily give their insight, and advice for artists in every medium on creativity, the creative process, and drive to follow through with one’s dreams.

One such opportunity came while premiering his animated documentary, Freedom Dance with Mariska Hargitay, which was shown at a festival in Washington D.C. in 2008. Fischer met a woman from Kodak of New York, and her interest in his idea for Old School, New School so inspired her that she introduced Fischer to Lisa Muldowney from a Los Angeles PR firm. This introduction led to assistance in finding artists and film makers willing to participate in the project.

Of the challenging experience of finding the willing professionals Fischer explains his drive and inspiration, “I have no idea how these things happen, but I think part of it has to do with the bravery and courage to go after something, and to get the wheels in motion, and to start producing your project. By going through the motion, and by generating activity, I think then somehow activity begets more activity, and things start to happen…, but there’s such serendipity in that, and that I would never dare to guess how that happens, but I wish that there was a way to provoke it. I think I’ve found that for me there are three aspects to this. One is to know what you want. Two is to have a plan. And three is to trust your instincts. I find repeatedly, when I follow that, for me, things seem to – well, I guess quote unquote, luck seems to happen, and obviously it’s not luck. (Of finding the professionals to be interviewed) It is the result of a lot of effort, and being prepared, and just being tenacious.”

Tenacious would be an understatement of a description for this experienced producer and director. Persistent, inspiring, and driven are better adjectives to describe Steven Fischer; all of which are necessary to be successful the entertainment industry. Journalist, Tracy Saville, comments on Fischer in her April 16, 2012 article about Old School, New School, “His search for the essential truths, driven only by a passion to advance his own knowledge and understanding is why old school ideas like what it takes to be powerfully creative in today’s world stand the test of time.” (www.thepossibilityplace.com, 2012)

Fischer’s long time friend and lawyer, Diane Davison, assisted him in finding the talented professionals to be interviewed and became a producer for the film. Davison commends Fischer, “He (Fischer) is an amazingly multi-faceted artist in every sense of the word: art, animation, music, film. I don’t know if he dances too, but that would definitely not surprise me! Add talent, vision, tenacity and business acumen to that and you have someone who has successfully created Art with a capital “A” since of a young age.”

James Ragan, who was interviewed for the film, relays his impressions of working with Fischer on the film, “His ease in interviewing in front of the camera made the entire documentary a conversation rather than an academic thesis. It’s clear by the responses he received from each person interviewed that he’s genuinely interested in their careers and is a master at drawing out the anecdote that best defines his subject and their personalities.”

Chris Cassidy, one of the cinematographers who worked on the film, shares his involvement, “I think the documentary Old School, New School is really important. People want to know about ‘the process’ of where creativity comes from. Hearing from all these fantastic people makes the film an important and educational lesson. The project was very exciting to work on. Each subject had different things to say, and different approaches. Not only was it an exciting job, but I learned a lot too. That doesn’t always happen on a shoot.”

Fischer’s longtime friend, camera operator, and collaborator, Gregg Landry says,”Old School, New School is, I think, the perfect reflection of where Steven is with his artistry today. He has achieved a high level of achievement in the creative world but humbly seeks more insight, more knowledge, more wisdom. Old School, New School educates the audience in a very dynamic way.”

Fischer’s long time friend, colleague, and mentor Steven Melendez explains his involvement with the project, “I have known Steven since he was in high school in London, and we have become firm friends. Old School, New School is a very interesting film for me. Steven spent a number of years quizzing me about how I go about making a film,… One thing I think that Steven learned from making the film, is that one has to trust oneself, and believe in what you are trying to say, and then develop the skills to excite others to come on board your ship”.

The theme of this incredible documentary seems to resonate through all those involved and all those who view it, ‘Believe in yourself and what you have to say, seek out opportunities to perfect your craft and perform your craft, and define success for yourself.’ The documentary is currently used as an inspirational teaching tool at universities across the U.S., and can also be viewed on www.snagfilms.com

Arts Advocacy Day

Today, Americans for the Arts and the Arts Action Fund celebrate National Arts Advocacy Day! Celebrate by clicking here to tell Congress that you support the arts.

And watch these fine artists in Old School New School talking about success in the arts and creativity! You’ll be supporting the arts and stimulating the brain all at once.

Thank you!

Viewers respond to Old School New School

We wanted to share some of the latest responses from viewers across the internet who’ve been watching Old School New School, Steven Fischer’s study on creativity with actor Brian Cox, jazz great McCoy Tyner, and cinematography legend William Fraker.

Thanks for sharing your thoughts. Your continued interest and support is greatly appreciated!

Just finished watching this for the first time (it won’t be the last time I assure you). Thanks for making an important film for all of us involved with creative work…
Joe I., Winnipeg, Canada

Steven, I am watching your documentary and learning so much from it. Thank for sharing this with me.
Larry M., Boston, MA

A fascinating movie about the creative potential we all possess! Enjoy and learn!
Robert M., Australia

Steven, really enjoyed Old School New School. Sharing it with everybody I know!
Rene M., Dallas, TX

Steven, Your film was outstanding, and such a tribute for anyone doubting their own dreams for success, especially in the arts. It is one I will watch more than just once. I felt as though it was made for me… Thanks so much for sharing such an inspiring documentary.
Donna M., Chicago, IL

terrific documentary on creativity with actor Brian Cox – it is amazing!
Geoff T., Los Angeles, CA

Yay Steven!
CINE Awards, Washington, DC

Steven, I enjoyed your film! Your thought provoking look at creativity through various media and live conversation is really raising the bar. CONGRATULATIONS!
Russ M., Baltimore, MD

Great film! Especially for creative types.
Jennifer W., Denver, CO

Creativity and success: This week’s Snag Learning Film of the week is Old School New School
Ed Tweeps @edtweeps

Steven Fischer Awarded Fulbright Honor

The U.S. Department of State’s Bureau of Educational and Cultural Affairs recently recommended two-time Emmy® nominated filmmaker Steven Fischer for the Fulbright Specialist Roster. Read more.

Watch Old School New School, Steven’s personal study on creativity with actor Brian Cox, jazz great McCoyTyner and many more world-class artists.

Compass Speakers Welcomes Steven Fischer

Compass Speakers is pleased to announce the addition of two-time Emmy nominated writer/producer Steven Fischer to their Special Interest Speaker Roster.

Steven Fischer brings to Compass an expertise in creative self-development and cartoon history, knowledge he’s gained in a 20-year career as a live-action and animated film writer and producer. His rich track record of stories that celebrate the human spirit includes the critically acclaimed 2007 animated film Freedom Dance starring Mariska Hargitay. Mr. Fischer’s additional works include the movie Old School New School with Brian Cox and McCoy Tyner as well as films for PBS, Nextel, TV Asia, Romanian Television Network, and AmeriCorps. He has worked on projects with such artistic heavyweights as Bill Melendez, Martin Scorsese, Bill Cosby, Margaret Cho, Richard O’Brien, and Tavis Smiley.

Additionally, Mr. Fischer teaches storytelling at Northwestern University and speaks internationally on creativity.

For more than a decade, Compass Speakers and Entertainment Inc. has earned a reputation for being an industry leader in supplying the most opulent cruise lines with paramount onboard programming. Compass Speakers devotes itself to seeking acclaimed destination and special interest lecturers, literary luminaries, art, dance, golf and yoga instructors, religious service leaders, and celebrities.

Compass has been in the industry for over 15 years and has served every major luxury and ultra luxury line including: Crystal Cruises, Cunard Line, Regent Seven Seas Cruises, SeaDream Yacht Club, and Silversea Cruises.

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Old School New School Hits

Snag Films‘ First Quarter reports for 2013 are in: Old School New School received over 76,000 hits! A big THANK YOU to all of the movie’s supporters. We are so excited that people continue watching this study on creativity. Please share the SnagFilms link so others can share in learning how we can all tap into our full creative potential.

Just visit http://www.snagfilms.com, sign up, and start watching free of charge!

Thanks again for all your support and interest. It means the world to us.

John Cleese on Creativity

Click here to watch an insightful, inspiring speech from John Cleese at Video Arts on Creativity. He reminds us of the value space, time, confidence, and humor have in our ability to tap into our full creative potential. Some of the ideas are present in Old School New School.

Creativity at Acorn Theater

Join us Saturday, April 28, 2012 at the Acorn Theater in Three Oaks, Michigan for a stimulating discussion on creative self development.

Details and registration

Location: Acorn Theater, 107 Generations Drive, Three Oaks, MI 49128

Date: Sat, Apr 28, 2012
Time: 1pm-3pm
Price: $15.00

Panelists:
Allen Turner, Chairman of the board of Columbia College Chicago’s Board of Trustees
Barbara Allen, Emmy Award winning producer, “DuSable to Obama”.
Corky Siegel, musician: Siegel-Schwall Band and the Chamber Blues group
Rick Kogan, creator/host, “The Sunday Papers with Rick Kogan” (WGN Radio)
Kim Clark, Emmy nominated producer; Artistic Director, Acorn Theatre

Moderator:
Steven Fischer, two-time Emmy nominated producer of Old School New School with Brian Cox.