A Robert Redford Story

It’s 2010. I’m nearing completion of a movie called Old School New School, my personal study on creativity. In the movie, I travel the United States meeting with world-class artists to discover the nature of creativity, how they found their voice, and how they define success.  The cast was a veritable collection of Who’s Who: Emmy-winning actor Brian Cox, Grammy Award winner and jazz great McCoy Tyner, and Tony Award winner Emanuel Azenberg among many more outstanding world stage notables.

L-R: Fred Weil, Steven Fischer, Brian Cox, Chris Cassidy shooting Old School New School, New York City, June 2010. Photo by Ren.

Director of Photography Chris Cassidy, Director Steven Fischer, internationally acclaimed dancer Kirstie Simson, Camera Operator Phil Rosensteel shooting Old School New School, New York City, 2009.

 

June. I attend the annual summit of Americans for the Arts at the Marriott Waterfront in Baltimore, Maryland. To celebrate its 50th anniversary of advocating arts education, AftA engaged Robert Redford as a keynote speaker. He presents during Friday’s two-hour lunch break in the hotel’s large ballroom. Mr. Redford speaks about 15 minutes then exits the stage. Being such a significant arts advocate, and with such a stellar career in the arts, I knew he would make an ideal on-camera subject for Old School New School. I also figure he’s leaving the hotel and that this would be my only chance to invite him to be part of the movie. I slip out of the ballroom and wander the adjoining corridors, figuring I’d run into him eventually.

I was right.

I turn a corner and see him! He’s seated with his back to me in private conference with an AftA executive. Seeing two people in conversation, my instinct was to hesitate — but a spirited initiative pushes me forward. I approach and say to the executive, “Excuse me. I hate to interrupt…”

The executive’s response? A silent, livid stare.

Adrenaline is racing through my body. What have a just done? I’ve broken into a private meeting. I know my intrusion is inappropriate. I know this is not the preferred way to open discussion with an A-list movie star, but I also know that I have a responsibility to this movie. (And I figure if anyone would be sympathetic to the struggles of the small, indie movie producer, it would be Robert Redford.)

My legs feel like jelly, but I find the resolve and continue. “May I just have a couple minutes? I’d like to ask Mr. Redford a question.”

A muscular security guard steps in. “Sir, you can’t be here,” he says firmly. “I’m going to have to ask you to leave.”

“Just two minutes?” I plead; “two minutes?” The executive stares with a look that says she’s ready to strangle me, but to his credit Mr. Redford holds out his hand as if to halt the security guard and says in a calm voice, “It’s alright. Let him speak.”

At this invitation I lock eyes with Mr. Redford, introduce myself, and tell him about Old School New School. I rattle off the list of subjects we’ve already photographed and on hearing the name John Bailey, Mr. Redford’s eye brows raise. (John Bailey was Redford’s Director of Photography on Ordinary People.) I hand him some printed Old School New School material and my card. “I’d love for you to appear on camera in the movie,” I say. “Give me a call and we’ll set it up.”

He took my information and carefully placed it in his shirt pocket saying he would check out the website.

His participation in the movie didn’t materialize, but he gave me a wonderful gift that day: the example he set responding to an interloper. Mr. Redford was a true gentleman. He engaged me, offered his full attention, and was gracious with the time. Thank you for that, Mr. Redford, for the example of how to be. I’ve used it as a guide ever since.

Old School New School was released the following year through Snag Films, and the touching appreciation for a movie that digs beneath the surface in search of understanding the nature of creativity has been overwhelming! I’m posting some of the responses below.

You can watch Old School New School for free: http://www.snagfilms.com/films/title/old_school_new_school

Producer Steven Fischer at Paramount Studios in 2009 during the production of Old School New School.

 

Just finished watching [Old School New School] for the first time (it won’t be the last time I assure you). Thanks for making an important film for all of us involved with creative work…

Joe I., Winnipeg, Canada

 

Steven, I am watching your documentary and learning so much from it. Thank for sharing this with me.

Larry M., Boston, MA

 

A fascinating movie about the creative potential we all possess! Enjoy and learn!

Dr. Robert M., Australia

 

Wonderful! Steven Fischer’s movie is a must-view. An extraordinary, inspirational distillation of artists’ wisdom and insight, with nothing getting in the way. If you want a daily warmup, this is it!

Howard E., United Kingdom

 

Steven, [Old School New School] was outstanding, and such a tribute for anyone doubting their own dreams for success, especially in the arts. It is one I will watch more than just once. I felt as though it was made for me…the midwestern working mom of 4 boys with a passion for writing and a dream of bringing my words to the next level. Someone like myself doesn’t really know where to begin. But, I’ll keep working at it and investigating what I need to do to see the words “based on a book by Donna Marie” someday. Thanks so much for sharing such an inspiring documentary.

Donna M., Chicago, IL

 

I watch your film Old School New School at least once a day. It fires my creative synapses. I want to thank you for the film. 

Jermaine T., Kansas City, MO

 

Steven….I just watched your film…I love this…the heart…the soul of the piece is evident..
every artist WILL want to see this….not simply for motivation but there lies within the film, a sense of wonder…or passion that is not always present in other examination works….thank you for the good dreams…..

Michael S., Washington, DC

 

A very insightful and well made short documentary. Well worth half an hour of anyone’s time, not just those interested in creative arts.

Gareth C., UK

 

I thought [Old School New School] was very inspirational. For anyone working or striving to work in the arts i think you’ll really enjoy it. You may find it just as inspirational no matter what career or field you are in. Nice job Steven,  

Paul H., Portland, OR

 

Thank you, Steven, for the insights presented in your film. Excellent questions! I love it when people put into a piece of work, things that I have asked myself. It’s validating. “I am not alone.” I loved one line from Ben Jones,…”what, and act in his head?”, when talking about a creative taking a “secure” job. Lol! This is helping me reevaluate my own path and choices. Thank you! Also, it was great meeting you in Three Oaks, Mi. Well worth the journey! Blessings!

Meghan D., Chicago, IL

 

Pretty cool movie. I love Kirstie Simson’s big green eyes. Intense person. Nice tour-de-force of some heady thought…should be watched with Linklater’s “Waking Life”…matter of fact, you should animate this film. ok, ok just an idea…thanks.

Robin M., Pleasant Hill, CA 

 

Great! Steven Fischer, you ROCK! So simple, yet so profound! Thanks for this inspiring documentary!

Christina, Denver, CO

 

Steven: Well done, and thank you for sharing! Your doc is actually a great “tool” for those considering a “life in the arts”, and for those already in pursuit of that life, with some good, honest “inspirational messages”. We enjoyed it, and will pass along to those in our circle, and beyond.

Tracey A., Hearst Corporation

 

I just watched “Old School New School”. I appreciate very much the honesty, heart, wisdom and confidence in being vulnerable the project and subjects share about their “success”, process and experiences as artists and humans-being… Thanks for your work and your gift Steven :-))).
peace+blessings,

Larry C., Corpus Christi, TX

 

Steven, GREAT film. I wish it had been twice as long. Always fascinating to hear the deep thoughts of creative people. I’m on such a journey myself; one of the breakthroughs for me was to realize that I have to have an honest, true REASON for what I do.  What is so compelling about your film is that it’s one honest way (of many) to dig those reasons out of hiding.

Thanks again and look forward to more work from you.

Scott R.

 

I enjoyed the film. I really loved seeing my friend and mentor Billy Fraker.He was a master! He taught me a lot.

Darla R.

 

[Old School New School] is a great film, Steven! I can feel it in my gut when I’m veering away from what my soul wants. This film was an awesome reminders for us creative types who sometimes get bogged down by the “should do’s” in life to keep going, follow your bliss and do what nature intended for you to do. Very nice work. Shared this one!

Jennifer W.

 

I just watched your documentary and I really enjoyed it. Very nice work. You’re asking some tough questions and the responses were really fascinating.

Ryon B., Columbia, MD

 

Wow! Just finished watching it. GREAT interviews!! This is a special piece. Watch it and share it. All of the interviews were amazing! You did a super job of getting carefully thought out and deeply held ideas from all of these tremendously successful and creative people. Thanks so much, Steve!

Les O.

 

I am so glad you made [Old School New School], this topic is something that I spend many hours debating and obsessing over in my head. Thank-you for making this!

 Angela B.

 

The interviews are insightful and the whole idea behind this documentary is noteworthy. I have heard a great deal of lectures on “how to be successful” or “what define being successful” but something as specific as being successful in the “art” I rarely heard, and I’m glad it is brought up. Great film.

Ze 

 

Fantastic film—handles questions I have thought about e.g what is success.

paul 

 

[Old School New School] is very unique and so true to life! It is real and tells it how it is.
Thanks for a creative and excellent film.

 Jani B.

 

Advertisement

Cartoon Classes Galore!

Learn the art of cartoon storytelling at The Second City, that famed Chicago comedy Alma Mater of Bill Murray, John Candy, Gilda Radner, Chris Farley, Harold Ramis and so many other brilliant, comedic minds.

Each course explores story breakdown, character development, page layout, the creative process, and studies from life. Students will create original characters and an original story based on personal experiences. No previous drawing experience required—if you can create a stick figure, you can succeed in these courses!

Sign up for:

Steven Fischer’s Intro to Cartoon Storytelling (for adults!)

Wednesdays, April 5-26, 2017 — 3-hour sessions starting at 7pm

 

The Wonderful, Happy, Cartoony Workshop (for ages 14-18)

Workshop: Saturday, April 15, 2017 (2-hours)

Four-session Class version:  Saturday, April 22-23 and 29-30, 2017 (2-hour sessions)

“Steve & Bluey” by Steven Fischer. Copyright 2014 Steven Fischer.

Steven Fischer: A talented and award winning documentary film-maker

From Snaptwig, January 29, 2013

Steven Fischer, the talented writer, director, and producer, was raised in Maryland and abroad. Fischer has directed dozens professional documentaries, films, shorts, and television projects independently as well as for clients such as PBS, Nextel, and AmeriCorps. As a young child he had an intense love for cartoons, which stayed with him into his teens. Around the age of seventeen years old, Fischer began creating cartoons for the local paper in the town where he lived. This opened doors for him, and he began to freelance creating cartoons and illustrations for other writers. In his late teens, he began pitching children’s book ideas and comic strip book ideas to publishers. After many rejections, he decided to take measures into his own hands, and self publish his first children’s book, There’s a Blue Dog Under My Bed.

Fischer learned to not only publish his own book, but also marketing and distribution. The struggles and lessons he learned he credits with his outlook and drive to continue to develop as an artist, musician and film maker. He attended the London Cartoon Centre in London, England in order to further develop as an artist and cartoonist. He cultivated many inspiring friendships and mentors there, and counts Steve Melendez and his father Bill Melendez as his long time mentors and friends. After returning to the U.S., Fischer found himself drawn to the medium of film through freelance work for AmeriCorps and other clients. He completed his first documentary in 1996, and realized another passion, documentary film making.

“I went with it because it was coming to me, and it doesn’t really matter to me what I’m producing. If it’s a documentary, if it’s fiction, if it’s a radio drama, if it’s television, if it’s cinema; the only thing I’ve ever been interested in is telling a good story, and … I believe every story has its own medium that it is most effectively told through; some stories work better as a song, others are more effective as a theater play, others are more effective for cinema. I enjoy all of the mediums. My role in all of this is to tell a very good story, a compelling story with meaningful characters, a story that has something to say. ”, explains Fischer.

Fischer’s contagious enthusiasm continued to fuel his creativity, and many awards followed. In 2000, he was nominated for his first Emmy for Silence of Falling Leaves, a Polish language tribute to Polish POWs murdered in the Katyn Forest Massacre. Written and Directed by Steven Fischer; Cinematography by John Chester; Read by Bozena Jedrzejczak, and produced for TCI Communications.

In 2007, Fischer earned a second Emmy nomination for Now and Forever Yours: Letters to an Old Soldier. The film dramatizes the little known and scandalous story of a Union officer’s love affair with a Southern belle in Fairfax, Virginia, during the American Civil War. Fischer directed the movie for NVCC-TV and photographed it under his oft-used pseudonym Gordon O. Douglass. His cinematography was nominated for an Emmy Award. It stars Katie Tschida and Winston Shearin with music by Damion Wolfe.

In 2008, Fischer, along with his animation partner Craig Herron, won the CINE Masters Series Award for Freedom Dance. In the animated film, Fischer directed the very talented Mariska Hargitay. Ms. Hargitay narrated the film. The producers explain the film, “Freedom Dance documents four months in the lives of artist Edward Hilbert and his wife, Judy, four months as refugees defiantly leaving Communist Hungary during the violent 1956 Hungarian Revolution. Along the way, Edward kept a journal in cartoon form detailing a trip defined by adventure. Our movie, attempts to re-tell the Hilberts’ eventful escape by inter-cutting original character-driven animation with recorded interviews and photographs”

Fischer attended the CINE awards ceremony in Washington D.C. This award proved to be serendipitous for his next project, Old School, New School, in the creation of new professional relationships and what would prove to be long-time personal friendships.

Continuing with the positive momentum which has garnered Fischer eight Telly Awards as of this writing, Fischer made the decision to pursue his documentary Old School, New School. The fascinating project collects recorded conversations with world class artists including noted actor Brian Cox, Grammy-winning pianist McCoy Tyner, and legendary cinematographer William Fraker on the nature of creativity. The documentary is currently used as an inspirational teaching tool for artists in every medium around the U.S.

Old School New School on Film Monthly

Old School New School review at filmmonthly.com

Photographer Herman Leonard, attorney Diane Davison, film director Steven Fischer at opening of Jazz at Lincoln Center, New York City, October 2009. Photo by Rick Edwards.

Director Steven Fischer with his cousin, Kathleen Monroe, Baltimore, Maryland.

Old School, New School

by Caress Thirus

We open on a common scene – a slightly flustered journalist making small talk with his interviewee as he prepares to ask his questions. Old School, New School is a documentary that follows Steven Fischer as he explores the different paths people take to develop their creative fingerprint, aka, their “voice”. A lot of people forget that documentaries are still films. Though they are informational, they’re meant for entertainment. There’s a sense of practical humor to this entire film, and key aspects are held from the audience so as to keep their interest. The first two minutes are sure to stir up a swirl of questions that Fisher and its interviewees answer during the film. “What is your voice, and how do you find it?” It’s a common question that anyone in an art-related career has asked themselves, time and time again. Though commonly asked, the answer is never straightforward. For some, the answer is simple; for others, not so much. This documentary compares and contrasts the answers given by different people in different careers, from dancers to cinematographers to musicians. The film is opinionated, but full of good opinions that are supported with logical reasoning. This is a film about voice, after all. How inappropriate would it be not to have an opinion or two? The entire documentary has a very honest feel to it; it’s realistic rather than rigged. Unfortunately, this causes it to drag in areas, but it always seems to pick back up. This movie is definitely in need of a soundtrack (and perhaps a more relevant title). It’s basic; there’s nothing unusual, and with all of the artistic people who were interviewed, it is upsetting to learn that none of their work is showcased in the film. Old School, New School sort of feels as if the filmmaker didn’t want to cut any of his interviews, and he left too many [unnecessary] clips in the film, making it too long. Still, the film feels organized and planned enough for the audience to keep watching. The viewer feels as if he or she is actually in the room with Fisher and the various people he interviews. It’s easy to get pulled into the stories they tell. In the end, the infamous question still stands. How does one go about defining their personal voice? Perhaps musician McCoy Tyner put it most simply when he said, “You found something you liked to do. It’s a matter of developing by doing it.”

Most information is derived from IMDB’s daily news, the Chicago dailies (Tribune and Sun Times), Entertainment Weekly, MSN.com, various sources as listed, and by just paying attention.

Caress Thirus is a student at Roosevelt University and a film enthusiast.

E-mail us at filmmonthly@gmail.com

Freedom Dance at The Embassy of Hungary

A very special thank you to Ambassador Reka Szemerkenyi, Cultural Attache David Singer and everyone at The Embassy of Hungary in Washington, DC, for including Freedom Dance in the Embassy’s 60th Anniversary Commemoration of the 1956 Hungarian Revolution.

For those who don’t know, Freedom Dance is an animated documentary that retells the adventure of a young couple, Edward and Judy Hilbert, escaping Hungary during the ’56 Revolution. Along the way, Edward kept a journal in cartoon form detailing their dramatic journey (which includes being robbed and nearly killed). The movie features Golden Globe winner Mariska Hargitay and is produced by Steven Fischer and Craig Herron.

Order your copy of DVD click here: http://www.freedomdancethemovie.com

 

Ambassador Reka Szemerkenyi and film director Steven Fischer at The Embassy of Hungary, Washington, DC, October 2016.

Cultural Attache Singer David and film director Steven Fischer at The Embassy of Hungary, Washington, DC, October 2016.

Director Steven Fischer speaks at the Festival of Film & Culture celebrating the 60th Anniversary of the Hungarian Revolution and Freedom Fight. (Hosted by the Embassy of Hungary in Washington, DC.) October 12, 2016

Director Steven Fischer (left) and Cultural Attache Singer David (right) speak at the Festival of Film & Culture celebrating the 60th Anniversary of the Hungarian Revolution and Freedom Fight. (Hosted by the Embassy of Hungary in Washington, DC.) October 12, 2016

Some of the Freedom Dance team. L-R: Diane Leigh Davison, Steven Fischer, Gregg Landry, Craig Herron, Barbara Herron

 

Freedom Dance featuring Mariska Harigtay.

 

Steven Fischer at DC Independent Film Festival

A big thank you to Erica Ginsberg at Docs In Progress and Hannah Jayanti for inviting me to appear on a panel discussion on animation in documentaries at the DCIFF today!

Through the magic of the internet I was Skyped in from Chicago to a dais which included Oscar-nominated filmmaker Dee Hibbert-Jones (talking about her animated doc Last Day of Freedom) and Gillian Klempner Willman (talking about her animated doc The New Woman). I was there to talk about my role on Freedom Dance with Mariska Hargitay.

The panel was held at the Carnegie Institution for Science in Washington, DC. Here’s my view:

 

What People Are Saying About Old School New School

Here are some comments from audience members who’ve seen Old School New School. Take a moment to watch the movie, and share your thoughts on the comment section above OSNS at Snag Films.

****

“A striking, provocative, and terribly important documentary.”

Rick Kogan, WGN Radio 720, Chicago

****

Steven, Your film was outstanding, and such a tribute for anyone doubting their own dreams for success, especially in the arts. It is one I will watch more than just once. I felt as though it was made for me… Thanks so much for sharing such an inspiring documentary.

Donna C., Chicago, IL

****

Steven, I enjoyed your film! Your thought provoking look at creativity through various media and live conversation is really raising the bar. CONGRATULATIONS!

Russ M., Baltimore, MD

****

A terrific documentary….with a cast of brilliant minds. Better than a $2500 creativity workshop.

George L., Los Angeles, CA

****

I watch your film Old School New School. It was really helpful. I watch it at least once a day. It fires my creative synapses. I shared it on my facebook with my friends. I has help me in creating my first doc project. We are in the process of writing a grant and we are almost done I am excited. Once again I want to thank you for the film.

Jermaine T., Kansas City, MO

****

I love the personalities in this film, Steven, it was really a great group of people. Sage wisdom for any artist at any level. Very enjoyable!

Dawn Y., Richmond, VA

****

Hi Steven Fischer,
I enjoyed your documentary, love Brian Cox and found it to be truthful, heartening for me and the choices I have made as an actress/singer and will post to my fb page, if you like!

Thank you,
Beka, Chicago, IL

****

I’ve just finished watching your inspiring film, Old School New School. It is illuminating and engrossing. Thanks!

Terry E., Chicago, IL

****

Steven: Well done, and thank you for sharing! Your doc is actually a great “tool” for those considering a “life in the arts”, and for those already in pursuit of that life, with some good, honest “inspirational messages”. We enjoyed it, and will pass along to those in our circle, and beyond. Keep at it, we will do same.

Our very best,

Tracey 0., Hearst Corporation

****

Steven–Great film, great interviews–what interesting people and ideas.

Wendy, Washington, DC

****

I just watched your documentary and I really enjoyed it. Very nice work. You’re asking some tough questions and the responses were really fascinating. I was also interested in what the interviewees were NOT saying—but were perhaps implying with their body language, eyes, etc. I think half of what drives a creative person, and indeed, what drives the creative process cannot adequately be expressed in language. Ironically, some of those things can only be expressed or understood after a *proper* exposure to the creation itself (but still cannot be expressed properly with language). The problem is, we are so distracted and numb most of the time, we don’t often get a *proper* exposure to the creation—even when we are right in front of it.

I’ve often thought about the crossroads between the arts, aesthetics and brain-related science… (cognition, etc). I agree with that line from Social Network when the Zuckerburg character says, “just like fashion, Facebook will never be done”; meaning that culture, knowledge, status quo, meaning, etc., is always shifting and in motion (waxing and waning might be a better way to put it). The way we interpret the world we experience is usually drawn upon existing lines or analogy pathways from previous lessons (that is to say symbols that bare meaning). In that way, the value we place on things changes from moment to moment and what is creatively valuable is always in flux.

I think that’s why smart, creative, healthy people place such high importance on trying things, reading, trial-and-error, improving one’s self, and asking a lot of questions…

Ryon B., Salt Lake City, Utah

****

I thought this film was very inspirational. For anyone working or striving to work in the arts i think you’ll really enjoy it. You may find it just as inspirational no matter what career or field you are in.
Nice job Steven,

Paul H., Albany, Oregon

****

Dear Steven,

Hello! I took the leap of faith and moved to Los Angeles a little over 3 months ago … Overall, things are going well.

Success in the arts comes from within and believing in one’s goals, no matter what anybody else says. “Security vs.risk”. Personally, if somebody loves something, they find a way to do it, no matter what. My life revolves around the arts, acting, music, and medicine. My personal juggling skills of the arts and my medical career would have seemed difficult, or at best impossible to others. But I have done it for years.

Thank you for sharing and creating this great documentary. I wish you much continued success in your upcoming projects!

Sincerely,
Lora B., Los Angeles, CA

****

Steven,
Congratulations on your documentary! I just finished watching it. I love this subject and it is very close to my heart … I applaud your tenacity on your latest production. Thanks for sharing.

Sincerely,
Phil C., Falls Church, VA

****

Steven, GREAT film. I wish it had been twice as long. Always fascinating to hear the deep thoughts of creative people. I’m on such a journey myself; one of the breakthroughs for me was to realize that I have to have an honest, true REASON for what I do. I think that, sometimes, when creative efforts, or goals, fall short for people, it can be rooted squarely in the premise of having the wrong motivation. People can find tremendous creative success (or any kind of success) for themselves if they can be really honest about WHY they are doing something and WHAT they want to do. Now that kind honesty isn’t always easy to know, it can be hidden or tucked away. It can be all mangled up in the hypnotic glitter, bells and whistles of fame or noteriety. Or sunk deep in the quagmire of abuse, neglect, ridicule or apapthy.

What is so compelling about your film is that it’s one honest way (of many) to dig those reasons out of hiding.

Thanks again and look forward to more work from you.

Scott R.

****

This is a great film, Steven! I can feel it in my gut when I’m veering away from what my soul wants. This film was an awesome reminders for us creative types who sometimes get bogged down by the “should do’s” in life to keep going, follow your bliss and do what nature intended for you to do. Very nice work. Shared this one!

Jennifer W.

****

I really enjoyed your film and the exploration of questions around creativity and creative fulfillment. As a woman, my wish would have been for you to interview a few more women.

Isabelle R.

****

Interesting topic and approach. I especially connected to and took a lot from Dr. Ragan’s story and message. I keep thinking about how inspirational the entire film is and how I want to show clips to our school’s aspiring artists!

Jamie G., Evanston, IL

****

Wow! Just finished watching it. GREAT interviews!! This is a special piece. Watch it and share it. All of the interviews were amazing! You did a super job of getting carefully thought out and deeply held ideas from all of these tremendously successful and creative people. Thanks so much, Steve!

Les O., Washington, DC

****

This film is terrific. Love the wide range of subjects selected (Brian Cox AND McCoy Tyner?) to speak about creativity and how it is woven into the fabric of our lives—including social class. I think anyone who creates art or seeks to understand those who create it will profit from seeing it, but I’d love to see Old School, New School disseminated widely in schools and other venues that could reach artists early in their careers. It captures the joys and vicissitudes of the creative process in a way that would benefit young artists.

Richard B., Catonsville, MD

****

Wonderful! Steven Fischer’s movie is a must-view. An extraordinary, inspirational distillation of artists’ wisdom and insight, with nothing getting in the way. If you want a daily warm up, this is it!

Howard E., Exeter, UK

****

A very insightful and well made short documentary. Well worth half an hour of anyone’s time, not just those interested in creative arts.

Gareth C., United Kingdom

****

Lots of good insight in this film. One line stood out to me was something Fraker said: “live by the decisions you make, right or wrong…”

Many times when out in the field you are forced to make decisions on the spot, that can be scary, but the truth is, you just have to go for it and trust your instinct at that moment.

Thea M., Los Angeles, CA

****

This documentary is very unique and so true to life! It is real and tells it how it is.
Thanks for a creative and excellent film.

Jani B., Washington, DC

****

Steven is exactly right with his opening comments…if he wanted answers to these important questions, others would too. This film was an insightful exploration of the creative process and spans a variety of disciplines. I think we can all give Steve a congratulations and thanks for allowing us to be the other person in the room for these very personal, comfortable conversations.

Gregg L., Baltimore, MD

****

Steven Fischer takes us on an inward journey in OLD SCHOOL NEW SCHOOL to wrestle with THE fundamental concept of a successful artist: vulnerable truth. You will enjoy hearing the reflections of experience in these interviews that extol the virtues of an honest creative voice. Enjoy the film, it is a worthwhile view for any artist – old or new!

Winston S., Camp Lejeune, NC

****

I just watched “Old School New School” … I appreciate very much the honesty, heart, wisdom and confidence in being vulnerable the project and subjects share about their “success”, process and experiences as artists and humans-being… Thanks for your work and your gift Steven :-)))

Larry C., Corpus Christi, TX

****

Well done, and thank for sharing! Your doc is actually a great “tool” for those considering a “life in the arts”, and for those already in pursuit of that life, with some good “inspirational messages”. I enjoyed it, and will pass it along to those in my circle.

Carl B., New York, NY

****

This Has something for every artist from Dance and poetry to jazz and photography a must see.

Lt. Norsal, Chicago, IL

****

I am so glad you made this documentary, this topic is something that I spend many hours debating and obsessing over in my head. I think the answer, that there is no answer in terms of the right pathway is correct. Finding your voice, to me, is what matters, once that voice is found, the individual can then go about orchestrating there means of satisfying it, and I firmly believe, that if their creative voice is important enough to them, they will find them means of satisfaction, no matter what their situation. Which to me is true success, finding your voice and then satisfying it. Thank-you for making this!

Angela B.

****

I liked it a lot. The interviews are insightful and the whole idea behind this documentary is noteworthy. I have heard a great deal of lectures on “how to be successful” or “what define being successful” but something as specific as being successful in the “art” I rarely heard, and I’m glad it is brought up. Artistic professions are different from business or science because success cannot be measured by quantitative means such as money or data. Being an “artist” really requires being true, especially to one’s self. Great film.

Ze

****

Great! Steven Fischer, you ROCK! So simple, yet so profound! Thanks for this inspiring documentary!

Christina G.

****

Fantastic film—handles questions I have thought about e.g what is success. I see a lot of people buying lotttery tickets every week. It is certain that someone will win the jackpot and call himself/herself successful. But really it was just luck.. yet seeig this many neighbors will emulate and buy even more lottery tickets.

How much of career success is just statistical chance? luck of the draw..we all like to think hard work pays because of our reference group. If we were not at least partially successful, you wouldnt be engaging in high-brow chatter….

Paul

Steven Fischer Appears in 0-90 Documentary

A documentary examining the first 90 days of President Obama’s administration.

Old School New School director Steven Fischer appears in this clip. Click here to watch 0-90.

Steven Fischer at Script DC

Script DC is a conference for screenwriters and takes place each year, as one would suspect, in Washington, DC. This year I was asked to speak with Lisa Goldman and Kristin Harris on the subject of Writing for Animation. The audience was comprised of both novice and professional writers, all eager to participate and ask questions. We screened some of our respective animation work and answered questions on everything from basic format to breaking into “the biz” and the relationship between the writer and the animator.

I enjoy speaking at events like this because it gives me a chance to contribute and share the lessons I’ve learned along my journey.

Lisa and Kristin are great people and terrific animators. Lisa is the president of Women in Animation, and Kristin runs a successful business called Kristin Harris Design.

Steven Fischer and Lisa Goldman speak about Writing for Animation at Script DC 2009 (photo: Amy Stern).

Steven Fischer to Appear at ScriptDC

“I don’t know why they need you to write for Bugs Bunny, he’s funny enough on his own,” a grandmother once said to her young writer grandson who had just shared his excitement in landing a job at Warner Brothers writing scripts for Bugs Bunny cartoons.

I was recently invited to speak at the Script DC conference (Oct 15-18). I will be part of a panel talking about writing for animation and how animation can be used for effective storytelling. The administrators of the event said they wanted to use one of my animated movies as an example … of what not to do, I guess. ;0)

Panel details:
Oct 17th, 2:30 to 4:00 pm
Saturday, October 17, 2009
University of California, Washington Center
1608 Rhode Island Avenue, NW

I was excited to learn that my friend Kristen Harris will also be on the panel! She was one of five animators I highlighted in my 2006 documentary Draw the Line.

The weekend will include workshops, networking, a screenplay competition, and some amazing speakers. Screenwriters Megan Holley (Sunshine Cleaning), and Jeff Porro and Robert Eisele (The Great Debaters) will be joining other invited local and national industry professionals to ensure that all conference participants gain the skills, knowledge and connections they need to be successful.

ScriptDC is presented by Women in Film & Video, TIVA-DC, DC Shorts Film Festival, Virginia Production Alliance, and The Actors Center. This event is possible with the support of the DC Office of Film and Television Production, the DC Commission on the Arts and Humanities, Julia Barbara, Sapling Pictures, Ann Barbara, and Leeza Gibbons.